ok computer radiohead set in the future the roots

The one thing you don’t want to say to us is what we should do, because we’ll kick against that and do exactly the opposite.” “Everyone said, ‘You’ll sell 6 or 7 million if you bring out The Bends, Part 2,’ ” Ed O’Brien told Rolling Stone in 1997. In 1996, Radiohead entered the studio to record their third album with a clear objective in mind: to distance themselves from what Phil Selway called the “soul-searching” of The Bends. But how did the band craft the album’s dense collage of sound? 20 years on from the release of OK Computer, Scott Wilson picks out seven pieces of gear used to make the landmark LP. I’ve got all this stuff, pages and pages and photocopies, that I just left strewn around the studios.OK Computer marked a noticeable shift from the guitar-led anthems of The Bends towards the more experimental sound that would define Radiohead’s later music. He added: “I recently found this box file of all the faxes I was sending and receiving from Stanley about the artwork and they’re hilarious. We didn’t know what the fuck we were doing, and I was refusing to rehearse anything! Imagine, if you will, the chaos.” Then we worked really hard for a year and a half with really not that many breaks and it was really intense.

We went through the whole crazy ‘OK Computer’ period and I became catatonic at the end of it.

“We were all a bit mad by the end of that period. “Recently, I’ve been going through the ‘Kid A’ and ‘Amnesiac’ stuff with the others,” Yorke continued. Speaking of how it felt as if the band were back in the mindset of their now classic departure albums ‘Kid A’ and ‘Amnesiac’ from the turn of the century, Yorke said that he had found a wealth of archive material from the era that the band have been revisiting.

Ok computer radiohead set in the future the roots